Don't Worry Darling

Alice and Jack are lucky to be living in the idealized community of Victory, the experimental company town housing the men who work for the top-secret Victory Project and their families. But when cracks in their idyllic life begin to appear, exposing flashes of something much more sinister lurking beneath the attractive façade, Alice can’t help questioning exactly what they’re doing in Victory, and why. #Are you ready to live the life you deserve?


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at 14:51 pm

So imagine the scenario. A boozy lunch with with some screenwriters who had just seen "Vivarium" (2019) and began to recall "Stepford Wives" (2004) and the "Truman Show" (1998). We know, say the assembled talent - let's write a pointless hybrid of these stories, making sure to avoid the best bits of any of them then get two gorgeous people to take part. We'll end up minted! Well they may well have ended up making loads of cash, but what they have provided for us is an heavily stylised story that goes nowhere fast. To be fair, Florence Pugh tries quite hard as "Alice", the increasingly disturbed wife of "Jack" (Harry Styles). They live in an Utopian desert community where the men all head to work for "Frank" (Chris Pine) in the morning and the women do the standard middle class housework, shopping and networking things. All is idyllic until "Alice" notices that one of their neighbours "Margaret" (KiKi Layne) is convinced that something is amiss amidst their perfect lifestyle. When an inexplicable tragedy ensues, "Alice" starts to have nightmares and soon her marriage and his career prospects are in jeopardy. Pine isn't the least menacing as the duplicitous "Frank" and though the camera really does love Styles, he has little here to demonstrate whether he can actually act or can just fill a perfectly tailored suit as well as Daniel Craig. That's really the problem here. The film looks good, but the plot is completely undercooked. We are delivered of a partially formed plot that is derivative and, frankly, rather dull. The last few scenes with the guys in red reminded me of a television commercial for Vodaphone and at just over two hours long, I was just unengaged with it all. Styles' looks will take him far and working with the likes of Pugh and Pine will only help him, but unless his people work harder on the scripts and characterisations, then he will just end up Zac Efron-light. This is a film for television in due course, I'd say.